Laughing at Monsters in Richard Coeur de Lyon
Identifieur interne : 000C19 ( Main/Exploration ); précédent : 000C18; suivant : 000C20Laughing at Monsters in Richard Coeur de Lyon
Auteurs : Lesley A. CooteSource :
English descriptors
- Teeft :
- Body fluid, British library, Broughton, Carnivalesque, Carnivalesque humour, Cathartic release, Chivalric code, Coeur, Cohen, Coote, Debra higgs strickland, Demonic, Demonic heritage, Dominant ideology, Doughty deed, Eets, Elder brother, English audience, English translation, Extreme violence, Fifteenth century, Film genre reader, First half, Gamelyn, Good ruler, Gowther, Great strength, Harvard university press, Holy land, Humour, Iddle age, Iddle english romance, Jeffrey jerome cohen, John finlayson, Kegan paul, King richard, Kyng, Last day, Lesley, Liminal space, Lyon, Medieval institute publication, Middle east, Monster, Monster culture, Monster theory, Monstrous child, Monstrous others, Monstrous race, Monstrous richard, Onsters, Oxford university press, Prophetic agenda, Public affair, Richard coeur, Richard coeurdelyon, Ruler, Saracen, Susan crane, Third crusade, Whilst, Whilst richard.
Abstract
Celebrating the work of Brian J. Levy in the realm of comedy and humour in the Middle Ages, this collection of twenty essays explores unusual, unexpected or unacknowledged elements of humour in medieval literature and art. Scholars from Britain, France, Italy, the USA, Denmark, and the Netherlands consider comic elements taking an unusual form; a comic presence in unexpected places; comic elements intentionally or unintentionally hidden; comic elements surprisingly vaunted; a comic presence in standard contexts which stands out for a particular reason; comic elements which are for some reason controversial; comic elements as yet unidentified or unacknowledged; a commonly acknowledged comic presence which is in fact no such thing. Essays in English and French deal with a broad range of subjects. If the Roman de Renart is particularly well represented amongst these essays, other subjects make up the majority of the book. These include: Cicero’s De Oratorei; the Mannekin pis; late-medieval wall paintings; German and French Drama; fabliaux; vernacular pious tales and dits; the romance epic Richard Coeur de Lyon; Les Quinze joyes de mariage; bestiaries; and misericords. Sometimes shocking, often surprising, and always intriguing, the medieval comic presence rarely corresponds to our expectations and assumptions. This book shows that in numerous cases the medieval joke is actually on the modern scholar.
Url:
DOI: 10.1484/M.TCNE-EB.3.1984
Affiliations:
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<front><div type="abstract">Celebrating the work of Brian J. Levy in the realm of comedy and humour in the Middle Ages, this collection of twenty essays explores unusual, unexpected or unacknowledged elements of humour in medieval literature and art. Scholars from Britain, France, Italy, the USA, Denmark, and the Netherlands consider comic elements taking an unusual form; a comic presence in unexpected places; comic elements intentionally or unintentionally hidden; comic elements surprisingly vaunted; a comic presence in standard contexts which stands out for a particular reason; comic elements which are for some reason controversial; comic elements as yet unidentified or unacknowledged; a commonly acknowledged comic presence which is in fact no such thing. Essays in English and French deal with a broad range of subjects. If the Roman de Renart is particularly well represented amongst these essays, other subjects make up the majority of the book. These include: Cicero’s De Oratorei; the Mannekin pis; late-medieval wall paintings; German and French Drama; fabliaux; vernacular pious tales and dits; the romance epic Richard Coeur de Lyon; Les Quinze joyes de mariage; bestiaries; and misericords. Sometimes shocking, often surprising, and always intriguing, the medieval comic presence rarely corresponds to our expectations and assumptions. This book shows that in numerous cases the medieval joke is actually on the modern scholar.</div>
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